Crane shot starting from the front over the art car. Crane shot front from bottom to top. Dolly shots right - left front of the car. Still front, long shot. Dolly shots right-left front details, close. Crane shot over hood, top view perspective. Crane shot over car roof and spoiler, lateral. Lateral still, long shot. Driver´s side still, front part of the car. Driver´s side still, middle part of the car. Driver´s side still, back part of the car. Dolly shot driver´s side left – right, medium long shot. Crane shot from signature to door, close. Detail close. Crane shot back over spoiler. Crane shot back over car roof, lateral. Passenger´s side still, long shot. Dolly shot passenger´s side lateral, medium long shot. Front part of the car still. Back-end part of the car still. Shifting focus on gas cap, close. Pan shot over signature. Front still. Hood, driver´s door and passenger´s door gets opened. Long shot. Front still, driver´s side. Driver´s door gets closed. Front still, passenger´s side.Passenger´s door gets closed.
Michael Jagamara Nelson. Interview
Scene #2 of 6: 11:45 min, Quicktime H264 25Mbit, 16:9, 1920x1080
We show young people, young generation… we say do some paintings on them selves and the body paintings and on the ground. Exactly like this. See, individually people have got their own dreamtime story. See. I got this one. My family grew up… My family grew up. This very lightly with the angry in the middle.
BMW Art Car Collection. Michael Jagamara Nelson. Cutaways interview.
Scene #3 of 6: 01:33 min, Quicktime H264 25Mbit, 16:9, 1920x1080
That they connect two unusual things: art and technique. We also do this at the Deutsches Museum. For that reason, I like the idea so much. Because both has a lot in common. For both things you need mental power, imagination and creative power. They have much more in commen than you think at first sight. And the word “art” has its origin in the word “can” and technology also requires skills and passion, just like art.
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