THE SAN FRANCISCO MUSEUM OF MODERN ART PRESENTS THE 16th BMW ART CAR SHOWCASED IN THE EXHIBITION "YOUR TEMPO: OLAFUR ELIASSON"

Munich/Berlin/San Francisco. From September 8, 2007 through January 13, 2008,
the San Francisco Museum of Modern Art (SFMOMA) will present the exhibition
Your tempo: Olafur Eliasson. Organized by Henry Urbach, SFMOMA's Helen Hilton
Raiser Curator of Architecture and Design, this special exhibition marks the
first public presentation and only U.S. engagement of Your mobile expectations:
BMW H2R project, 2007, a new work by contemporary artist Olafur Eliasson
created in conjunction with BMW's Art Car program.

Eliasson's project transforms an object of advanced industrial design into a
work of art that critically and poetically reflects on the relationship between
global warming and the automotive industry. The BMW H2R race car, a
hydrogen-powered vehicle, was developed to attain speed records while pursuing
a sustainable future based on the use of regenerative fuel. Eliasson has
removed the car's outer shell and replaced it with a complex, translucent skin
made of steel mesh, reflective steel panels, and many layers of ice.
"Movement has consequences for self-perception".

"Eliasson's transformation of the H2R car is a powerful provocation to design
and a reminder of the profound effect design can have on our lives," Urbach
remarks. "He has given us a work that challenges the way we understand cars now
and helps point us toward a different future. It's an experiment, really, as
much a social and political intervention as an aesthetic one, and one whose
effects will likely be felt for years to come. One can hardly imagine a better
place to exhibit this work than SFMOMA, situated in the heart of a region that
dedicates equal passion to driving and to environmental politics."

Eliasson's steel-and-ice-covered automobile, like his overall body of work,
evokes multiple associations. First, it reflects the artist's long-standing
interest in natural phenomena and the sense of dislocation and awe they can
inspire. In this context, the ice also draws our attention to hydrogen, which
liquefies and becomes fuel-ready at sub-zero temperatures, as well as to the
fuel's only byproduct: water.

"Our movement in space implies friction: not only wind resistance, but also
social, physical, and political frictions," Eliasson comments. "Thus, movement
has consequences for self-perception and the way we engage with the world. One
can look at the body as a mobile vessel or a vehicle that changes the
parameters of time and space. In driving a car, one obviously also negotiates
the way time-space is constructed. What I find so interesting in the research
on movement and environmentally sustainable energy is the fact that it enhances
our sense of responsibility in how we as individuals navigate in a world
defined by plurality and polyphony."

The artist Olafur Eliasson.

Widely heralded as one of the most important artists of his generation,
Eliasson nimbly merges art, science, and natural phenomena to create
multisensory experiences that engage the viewer as an active participant. Born
in Denmark in 1967 to Icelandic parents, he is best known for his alluring,
site-specific installations that harness optical cognition and recontextualize
meteorological elements such as light, wind, temperature, and especially water,
in all its various stages. He electrified the art world in 2003 with The
weather project - a gigantic artificial sun installed inside the Turbine Hall
of London's Tate Modern. Made primarily with light, mirrors, and mist, the
immersive environment provided a highly sensory experience that few museumgoers
are likely to forget. For some 15 years, in fact, Eliasson has been making
similarly innovative works on a variety of scales. From indoor rainbows to
backward-flowing waterfalls to walk-in kaleidoscopes, his uniquely
participatory works examine the boundary between the organic and the
artificial. At once extraordinary and familiar, Eliasson's art is intentionally
simple in construction but thrilling to behold, sparking profound, visceral
reactions intended to heighten one's experience of the everyday.

Your mobile expectations: BMW H2R project.

After more than two years in development, and many form studies and technical
experiments, Your mobile expectations: BMW H2R project will have its official
public debut at SFMOMA. The piece will be constructed on-site inside an
800-square-foot custom-made cooling unit in SFMOMA's architecture and design
galleries that will preserve the car's icy skin. Fitted with Eliasson's
steel-mesh and reflective-steel covering, the stripped-down car frame will be
sprayed with 530 gallons of water over the course of several days to gradually
create layers of ice. Lit from within and glowing in its frozen atmosphere, the
resultant work measures more than 5 feet high, 17 feet long, and 8 feet wide.
Viewers enter the environment in limited numbers to enjoy an intimate,
immersive, and social engagement with the artwork - a fundamental aspect of
Eliasson's art.

"The work is so much about an experience," Urbach continues. "You go into a
cold space with a small group, almost like a little expedition. There you
encounter something you've never seen before that is completely magical. At the
same time, it's a serious and trenchant critique that leaves the beholder with
plenty to think about."
Accompanying the artwork is a short film that offers a behind-the-scenes view
of Eliasson's team at work on Your mobile expectations: BMW H2R project, as
well as two seminars that took place in his Berlin studio in conjunction with
the project, the first in June 2006 and the second a year later. These seminars
brought together more than 40 scholars, artists, architects, scientists, and
other experts to discuss this and other Eliasson projects and their relation to
various artistic, social, political, and environmental issues. The film further
demonstrates the degree to which Eliasson's studio, a large workshop composed
of many specialists, functions as a site of research, a space of debate, and a
sphere of social action.

Your mobile expectations: BMW H2R project will be accompanied by a fully
illustrated book of the same title published by Lars Müller Publishers and
featuring Eliasson in conversation with various architects and scientists
(available in spring 2008).

Your tempo: Olafur Eliasson is presented in conjunction with a separate
exhibition also organized by SFMOMA. Curated by Madeleine Grynsztejn, in close
collaboration with the artist, Take your time: Olafur Eliasson (September 8,
2007 through February 24, 2008) marks the first major U.S. survey of Eliasson's
projects from 1993 to the present, and will travel nationally following its San
Francisco debut. Venues will include the Museum of Modern Art, NY, and the
P.S.1 Contemporary Art Center.

The BMW H2R Car.

With the hydrogen-powered BMW H2R as their latest Art Car, the BMW Group is
continuing in the true tradition of the BMW Art Car Collection. The BMW H2R
research vehicle has established nine records for hydrogen-powered vehicles
featuring a combustion engine. On the high-speed track at Miramas (France) the
company proved that hydrogen can replace conventional fuels, without the driver
having to forego the driving dynamics offered by modern cars.

The technical specifications of the H2R are verification of this. The
twelve-cylinder, six-litre engine delivers more than 210 kW/285 bhp. With such
power available, the prototype accelerates from 0-62 mph in around six seconds,
achieving a top speed of over 300 km/h (186 mph). The hydrogen combustion
engine is based on the petrol-driven power unit featured in the BMW 760i,
consequently it is equipped with state-of-the-art technologies such as
Valvetronic fully variable valve control.

The BMW Art Car Collection.

Established in 1975, the BMW Art Car Collection now includes 16 works by
prominent artists - including David Hockney, Jenny Holzer, Roy Lichtenstein,
Frank Stella, Robert Rauschenberg, and Andy Warhol - each making a unique
artistic statement about the appearance and meaning of cars in our time. It was
the French racing driver Hervé Poulain who first commissioned an artist - his
friend Alexander Calder - to paint his BMW racecar in the early 1970s, and this
was the spark that led BMW to develop the Art Car program. Apart from being
permanently displayed at the BMW Museum in Munich, cars from the collection
have been exhibited by numerous museums and galleries worldwide, including the
Louvre in Paris, the Palazzo Grassi in Venice, the Powerhouse Museum in Sydney,
and the Guggenheim museums in New York and Bilbao.

In 2005, BMW selected Eliasson for its 16th Art Car commission, with input from
an international board of curators comprising Bruce W. Ferguson, dean of
Columbia University in New York; Pi Li from the Central Academy of Fine Arts in
Peking; Suzanne Pagé, director of the Musée d'Art Moderne de la Ville de Paris;
Larry Rinder, dean of California College of the Arts in San Francisco; Donna de
Salvo, chief curator at the Whitney Museum of American Art in New York; and
Carla Schulz-Hoffmann, director of the Pinakothek der Moderne in Munich, where
the board of curators held their meeting during two days in April 2005.

Your tempo: Olafur Eliasson is organized by the San Francisco Museum of Modern
Art and is supported by BMW.

Through its devotion to artistic endeavors, BMW aims to support activities that
promote an intercultural dialogue, and is currently involved in more than 100
cultural events, programs, and organizations worldwide. BMW Group Cultural
Communications recognizes that creative freedom is just as much a guarantee of
groundbreaking work in art as it is in any commercial enterprise.

With this latest project by Eliasson, BMW continues its innovative cooperation
with artists while exploring the complex social and environmental issues that
attend to producing and driving cars today.

For further information please visit:

www.sfmoma.org
www.olafureliasson.net
www.bmwgroup.com/culture

For questions please contact:

Corporate Communications

Thomas Girst, Head of Cultural Communications
Telephone: +49 89 382 24753, Fax: +49 89 382 28017

Holger Lapp, Vice President Public Relations
Telephone: +49 89 382 17700, Fax: +49 89 382 25454

e-mail: presse@bmw.de